The Legend of Cool "Disco" Dan | |
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Directed by | Joseph Pattisall |
Written by | Joseph Pattisall |
Starring |
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Edited by | Joseph Pattisall |
Music by | Iley Brown |
Production company | MVD Entertainment Group |
Distributed by |
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Release date |
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Running time | 96 minutes [1] |
Country | United States |
Language | English |
The Legend of Cool "Disco" Dan is a 2013 American documentary film written and directed by Joseph Pattisall. [1] The film was released on April 15, 2013 in conjunction with the release of the book Pump Me Up: DC Subculture in the 1980s. [2] [3] The documentary was narrated by Washington, D.C.-native Henry Rollins. [4] [5] The Legend of Cool "Disco" Dan provides a documentation of Washington, D.C. during the 1970s and 1980s from the perspective of Cool "Disco" Dan, and blends commentary by local Washingtonians combined with archival footage, forming a comprehensive portrait of this time period.
The Legend of Cool "Disco" Dan examines the life of mythical graffiti artist Cool "Disco" Dan, while juxtaposing his life against many of the historical events from the 1970s and 1980s that shaped the culture of Washington, D.C. Cool "Disco" Dan (real name Danny Hogg) was born on December 31, 1969, on the very last day of the 1960s. It was a revolutionary decade that saw the rise of Civil Rights Movement, the assassination of prominent political figures, and the Vietnam War. During this period, D.C. was experiencing race riots in the aftermath of Martin Luther King Jr.'s assassination, heightened racial tensions and white flight, and blacks from southern and northern states relocating to D.C. in search of better economic opportunities during the Great Migration. This eventually transformed the city's demographics into a largely majority black city and introduced the label "Chocolate City". Additionally, it marked the beginning shift in local politics, and the beginning of home-grown music and musical acts (particularly go-go music and culture) all of which influenced Cool "Disco" Dan's graffiti.
Beginning in the 1970s, Hogg adapted the nickname "Disco Dan" after being inspired by an episode of What's Happening!! He was also fascinated with the murals in the opening credits of Good Times , along with the cover art of many funk albums. He taught himself to draw and eventually was able to completely duplicate the vibrant artwork of those albums. Also around this time, Marion Barry's political career was on the rise, as he was elected mayor with a platform based on helping the poor, implementing a 'summer jobs programs' for the youth, and helping senior citizens and the cities most vulnerable. The development of go-go and harDCore music was also in its early stages.
By the 1980s, Disco Dan had perfected his graffiti art skills just as the popularity of go-go music and harDCore was heightening throughout the city. Inspired by "roll-calls" and call and responses during go-go concerts (where patrons got their names and neighborhoods immortalized on P.A. tapes and live album recordings), Disco Dan began immortalizing himself by tagging his nickname on Metro buses and rails, vacant building, and throughout the Washington metropolitan area. At the height of his fame, go-go was also reaching the height of its fame, and the energy levels around the city had reached a fevering peak with the rise of local sports teams—the Washington Bullets, the Big East Conference and the Georgetown Hoyas (John Thompson, Patrick Ewing, Alonzo Mourning), Maryland Terrapins (Lefty Driesell and Len Bias), Sugar Ray Leonard, and the Washington Redskins (Doug Williams)—and the peak of the local politicians Marion Barry and Sharon Pratt Kelly, along with the crack epidemic and illegal drug trade, AIDS epidemic, materialism, hip-hop music, elevated murder rates, Reaganomics, homelessness, George H. W. Bush's War on Drugs, and the ubiquity of Cool "Disco Dan" graffiti all peaked simultaneously during this time period.
The documentary was part of the Corcoran Gallery of Art's exhibit for Pump Me Up: DC Subculture in the 1980s. The documentary also screened at the AFI Silver Theatre and Cultural Center in Silver Spring, Maryland from February 23, 2013 to March 1, 2013, and screen nationwide at select theatres. [6] [7] The DVD was released on March 11, 2014.
Rollins Band was an American rock band formed in Van Nuys, California. The band was active from 1987 to 2006 and was led by former Black Flag vocalist Henry Rollins. They are best known for the songs "Low Self Opinion" and "Liar", which both earned heavy airplay on MTV in the early-mid 1990s.
Go-go is a subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience call and response.
Washington, D.C., has been home to many prominent musicians and is particularly known for the musical genres of Jazz, Rhythm & Blues, bluegrass, punk rock and its locally-developed descendants hardcore and emo, and a local funk genre called go-go. The first major musical figure from District of Columbia was John Philip Sousa, a military brass band composer. Later figures include jazz musicians, such as Duke Ellington, Charlie Rouse, Buck Hill, Ron Holloway, Davey Yarborough, Michael A. Thomas, Butch Warren, and DeAndrey Howard; soul musicians, including Billy Stewart, The Unifics, The Moments, Ray, Goodman & Brown, Van McCoy, The Presidents, The Choice Four, Vernon Burch, guitarist Charles Pitts, and Sir Joe Quarterman & Free Soul.
The 9:30 Club, originally named Nightclub 9:30 and also known simply as the 9:30, is a nightclub and concert venue in Washington, D.C. In 2018, Rolling Stone named the 9:30 Club one of the 10 best live music venues in the United States.
Funky house is a subgenre of house music that uses disco and funk samples, a funk-inspired bass line or a strong soul influence, combined with drum breaks that draw inspiration from 1970s and 1980s funk records. The use of disco strings are also common in the genre, although not always. Funky house uses specific techniques and a specific sound, characterized by bassline, swooshes, swirls and other synthesized sounds which give the music a bouncy tempo with around 128 BPM.
Washington, D.C., hardcore, commonly referred to as D.C. hardcore, sometimes styled in writing as harDCore, is the hardcore punk scene of Washington, D.C. Emerging in late 1979, it is considered one of the first and most influential punk scenes in the United States.
Henry Chalfant is an American photographer and videographer most notable for his work on graffiti, breakdance, and hip hop culture.
Dance-punk is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements. The genre is characterized by mixing the energy of punk rock with the danceable rhythms of funk and disco. It was most prominent in the New York City punk movement.
Cool "Disco" Dan was the pseudonym of American graffiti artist Dan Hogg. His standard mark, a particularly styled rendering of his name, was ubiquitous in the Washington metropolitan area, notably along the route of the Washington Metro Red Line.
Marc André Edmonds, also known by the graffiti name ALI and as J. Walter Negro, “The Playin’ Brown Rapper” was an American artist and musician. As ALI, he is best known as the founder of 'Soul Artists' and originator of the cult of Zoo York. As "alter-ego" J. Walter Negro, he is remembered as the lead singer/songwriter of the proto-hip-hop-rap group 'J. Walter Negro and the Loose Jointz', who had some success with their 1981 release "Shoot the Pump".
Borf was a graffiti campaign seen in and around Washington, D.C., during 2004 and 2005, carried out by John Tsombikos while studying at the Corcoran College of Art and Design. This four-letter word was ubiquitous around the Northwest quadrant of Washington, and ranged from simple tagging to complete sentences to two-color stencils to the massive defacement on an overhead exit sign from the Theodore Roosevelt Bridge to Constitution Avenue. Tsombikos was arrested on July 13, 2005, after tips led police to his latest tag.
Post-disco is a term to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation.
Tim Conlon is an American artist and graffiti writer known for large-scale murals and works on canvas. He was featured as one of several artists in the Smithsonian National Portrait Gallery exhibit, Recognize! Hip Hop and Contemporary Portraiture, which included four large graffiti murals painted by Conlon and collaborator, David Hupp in 2008. This marked the first modern graffiti ever to be in the Smithsonian Institution.
Salt of the Earth is the second album by the Washington, D.C.-based group The Soul Searchers.
Hip hop music in Washington, D.C., has been an important part of the culture of the area.
Sacha Jenkins is an American television producer, filmmaker, writer, musician, artist, curator, and chronicler of hip-hop, graffiti, punk, and metal cultures. While still in his teens, Jenkins published Graphic Scenes & X-Plicit Language, one of the earliest 'zines solely dedicated to "graffiti" art. In 1994, Jenkins co-founded Ego Trip magazine. In 2007, he created the competition reality program ego trip's The (White) Rapper Show, which was carried by VH1. Currently, Jenkins is the creative director of Mass Appeal magazine.
Roger Gastman is an American art dealer, curator, filmmaker, and publisher who focuses on graffiti and street art.
Go Go Live at the Capital Centre was a concert performance by various prominent go-go bands and hip-hop artists based in the Washington metropolitan area. It was recorded live in October 1987 at the Capital Centre. The double–cassette was released by "I Hear Ya Records" on December 18, 1987, and the video recording was released on VHS-tape by "G Street Express" on the same day.
The Beat: Go-Go's Fusion of Funk and Hip-Hop is a 2001 book written by Kip Lornell and Charles C. Stephenson, Jr. In 2009, an updated second edition of the book was published and retitled The Beat! Go-Go Music from Washington, D.C.